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The ballets of Paul Hindemith are not that well-known in his musical compositions. Nevertheless, this book intends to attract more attention to the composer's dance works by providing in-depth information on his ballets from the 1930s, namely Nobilissima Visione (1938) and Der Kinderkreuzzug (1939). By showing the origins, developments, and how these two pieces originally came from the same inception, the results of this research impart a deeper understanding and appreciation of these ballets. In Nobilissima Visione, the artistic collaboration and theatrical interpretations of both Hindemith and choreographer Leonide Massine on the life of St. Francis of Assisi are likewise compared and evaluated. In addition, the close study of the music sketches in Nobilissima Visione reveals how this ballet was possibly composed.
Nobilissima Visione and Der Kinderkreuzzug further share another common feature: both have detailed scenarios by Hindemith containing the composer's indications as
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